Cinematic Nihilism: Encounters, Confrontations, Overcomings, is scheduled for release in September. The hardcover edition is available now for preorder from Edinburgh University Press, or in the US from Oxford University Press. You can use the code from the coupon below to get a $33 discount. The softcover edition will come out next year.
Information on Cinematic Nihilism: Encounters, Confrontations, Overcomings is now appearing on the Edinburgh University Press website. The publication date of the hardback edition is listed as September 2017.
In the US, Cinematic Nihilism will be distributed by Oxford University Press.
Exposing and illustrating how an ongoing engagement with nihilistic alienation may contribute to, rather than detract from, the value of life, Cinematic Nihilism both challenges and builds upon past scholarship that has scrutinised nihilism in the media, but which has generally over-emphasised its negative and destructive aspects. Through case studies of popular films, including Prometheus, The Dark Knight Rises, Dawn of the Deadand The Human Centipede, and with chapters on Scotland’s cinematic portrayal as both a site of ‘nihilistic sacrifice’ and as ‘nowhere in particular’, this book presents a necessary corrective, re-emphasising the constructive potential of cinematic nihilism and casting it as a phenomenon that need not be overcome.
I have submitted the manuscript for Cinematic Nihilism: Encounters, Confrontations, Overcomings to the publisher, Edinburgh University Press. It looks like the cover has already been posted on the Amazon UK website. The official release date is quite appropriate: Halloween, 2017.
In April, I’m looking forward to the Pacific Division meeting of the American Philosophical Association, where I’ll make a presentation to the International Association for the Philosophy of Humor. My presentation, “Humor, Nihilism and Film,” will address the ways in which nihilistic incongruity is implicated in both the humorous and the horrific aspects of films like Trainspotting and The Human Centipede.
Currently, I’m putting the finishing touches on a paper about spiritual homelessness and punk rock that will be part of a collection, edited by Juneko Robinson, tentatively titled Thinking Through Things. The collection focuses on the interconnection between artifacts and human thought.
The new year is off to a nihilistic start!
I’m currently polishing and organizing the manuscript for Cinematic Nihilism: Encounters, Confrontations, Overcomings. The process is coming along smoothly, and I anticipate having the final draft completed within the next month.
In the meantime, the folks at Edinburgh University Press have put together a cover, which I think looks really good. It would be great to hear what people think of it.
I’ve signed a contract with Edinburgh University Press for the publication of a collection of essays to be titled Cinematic Nihilism: Encounters, Confrontations, Overcomings. The completed manuscript is due to the publisher by the end of January 2017.
The peer review process has so far been quite rigorous (and sometimes stressful!), but I think this has helped to shape and clarify the aims and purposes of the book. I’m excited about the result.
The collection consists of essays addressing nihilistic themes in an international variety of popular films. Some of the essays have previously appeared in journals such as Film and Philosophy, Film International, Screen Bodies, The Journal of Popular Culture, and The International Journal of Scottish Theatre and Screen. Other pieces new to this collection include an introductory essay addressing the philosophical history of nihilism and its relation to film; an updated and revised treatment of nihilistic themes in George Romero’s Dead films; an essay on Fight Club; and an essay exploring the nihilism of Yukio Mishima.
Part of the fun of working on this project includes selecting screen grabs from the various movies discussed in the book as illustrations. I also get some say in the cover design. Currently, I’m thinking that the image above, from David Cronenberg’s 1983 film Videodrome, would make a great cover!