Punk Rocker (previously Nihilism on the Prowl) is a website containing an amazing collection of old school punk rock reviews, interviews, profiles and music links. Peter from Wolverhampton, UK, has poured his heart and soul into this project, archiving material that would otherwise probably be lost and forgotten. The result is a real treat for anyone into punk rock music and culture.
I have already spent hours exploring the material on this site. Peter’s own reflections on his life in punk – and his life in general – made me think about how similar all veteran punks are, regardless of where we come from. We start off playing in bands and publishing zines and then, as we age, move on to dealing with health issues and taking care of ill and aging loved ones. Peter writes about this common life trajectory with humor and honesty.
Although there are many nooks, crannies and dark corners of the website that I have not yet fully investigated, here are some of the gems that have grabbed my attention so far:
Peter’s article “Swastika & Punk” is an interesting exploration of the use of the swastika as a symbol by such early punk artists as The Ramones, Siouxsie and the Banshees, and The Sex Pistols. Peter (rightly) observes that an advocacy of Nazism was not the inspiration behind the punk appropriation of the swastika; rather it was used as a gesture of provocation, inspired by the Situationist art movement and employed in order to inflame discomfort among the mainstream. Peter points out that while many anti-racist bands punk bands did flaunt the swastika, ironically an explicitly racist band like Screwdriver never did.
“Scotland Uber Alles” is a 1979 piece by Garry Bushell, first published in Sounds Magazine, that focuses on a variety of Scottish punk and new wave bands, mostly from around Glasgow and Edinburgh. Not a lot of well known punk bands came from this part of the UK – The Exploited, Rezillos, and The Skids are the most familiar names – but Bushell’s coverage of this scene is especially fascinating as it highlights the idea that much real British punk, even in 1979, was happening outside of the London spotlight, in places like Scotland, “the land of the strapping jocks.”
Closer to my own home, “Thrash and Blood” is a 1983 article first published in the New Musical Express showcasing California hardcore bands from the San Francisco and Los Angeles areas. Some of the bands highlighted here are still among my favorites: The Angry Samoans, MDC, Social Unrest, Flipper. The article puts a lot of focus on the compilation album Not So Quiet on the Western Front, a record that came out when I was a teenager and that featured underground bands from Northern California like: NBJ, No Alternative, The Church Police, UXB, and many, many others. This was music not fit for mainstream radio, made by people we all knew and hung around with. As was the case in the UK, this album emphasized the fact that in the early 1980’s some of the best and most confrontational underground music came from places outside of the big, high profile cities, and was made by kids playing in garages in front of their friends.
An article on Penelope Houston, lead singer for the Avengers (and now the head archivist of Special Collections at the San Francisco Public Library), is hilarious for the inane questions asked by the interviewer and for the old photos from 1978. First published in Search and Destroy, the interview covers everything from Houston’s violent behavior (she once hit someone in the face for playing a Damned album while she was trying to sleep), to her hair color, fashion sense, and the loss of her virginity. Silly and fun, it brings back memories of what it was like to be an angry, creative, emotional teenager.
There is a huge amount of material on this website, and with each click there is more to be discovered. Peter has put together a vast scrap book of punk rock memories; a music and culture fanzine for the internet era. If you are into old school punk this is a site that I highly recommend checking out!