I’ve signed a contract with Edinburgh University Press for the publication of a collection of essays to be titled Cinematic Nihilism: Encounters, Confrontations, Overcomings. The completed manuscript is due to the publisher by the end of January 2017.
The peer review process has so far been quite rigorous (and sometimes stressful!), but I think this has helped to shape and clarify the aims and purposes of the book. I’m excited about the result.
Part of the fun of working on this project includes selecting screen grabs from the various movies discussed in the book as illustrations. I also get some say in the cover design. Currently, I’m thinking that the image above, from David Cronenberg’s 1983 film Videodrome, would make a great cover!
Issue #1 of the journal Screen Bodies is now available. My article, “Monstrous Masses: The Human Body as Raw Material,” appears on pages 51-70:
This article investigates the varied reactions of audiences to cinematic depictions of the human body as objectified raw material. The investigation proceeds, first, by explicating an ontological distinction between being-in-itself and being-for-itself, which in turn allows for a clarification of the processes involved in the objectification of one human being by another. The article then argues that in films where depictions of bodily objectification are pushed to an extreme—such as The Human Centipede, Nymphomaniac, and Videodrome—a potentially positive, empathic potential is unlocked in audiences. Rather than simply resulting in the humiliation of human characters, such films encourage audiences to experience a kind of sympathy for the characters that is related to, but not distinct from, other horrific, humorous, and erotic feelings. The article concludes that the objectification of human bodies in film is both unavoidable and a potentially positive moral exercise.